If this September is noted for anything, it's remarkable live music. We rounded up some must-see gigs for your enjoyment and social life. Check these artists out, listen up and get out there for some amazing Atlanta shows.
Punk music is often viewed as cacophonous snippets of impulsive rage, but Empath is proof that the rowdy genre can spit out a great deal of compassion, too. The Philly-based four-piece has released two ambitious projects this year, Liberating Guilt and Fear and Environments. The former is a raucous exploration of the concept of healing frequencies, while the latter is an ambient, lo-fi portrayal of water and wind.
Liberating Guilt and Fear is equal parts refined and unruly – a nod to the tape’s recording process, which occurred in both a Brooklyn studio and frontwoman Catherine Elicson’s bedroom, where a Rock Band USB microphone was employed. Empath brings comradery, catharsis and queerness to a genre that has long been ruled by pretentiousness and heteronormativity. – KG
Comprised of John Pierce and Alex Teich, Atlanta-based duo Post Hunk released their first LP this year – a raucous post-punk rambler complete with samples from the Simpson’s and Andy Kaufman. Celebrity Pets is a well-constructed mash-up of malaise and satire that pokes fun at life’s struggles via honest and at times humorous lyricism. Pierce brings his deep, brooding voice to the tracks, at once exploding into near-screams that accompany pronounced guitar licks. The outcome is a danceable catharsis and a chance to dig in and access the angsty punk inside you that you’ve forced to lay dormant. The duo ends their tour on September 8 with a show in their hometown at East Atlanta’s 529 with Palm Ghosts, Tears for the Dying, Peeko and Mannequin Lover. – EP
Field Medic’s leading man Kevin Patrick Sullivan has mastered his brand of lo-fi freak folk, bringing us tracks that are as warm as they are fussy with emotion. Late last year, the San Francisco-based artist brought us Songs from the Sunroom, an aptly named 15-track LP that is both declaratory and inquisitive. As Sullivan sings to us about what “powerful love” feels like, he seems unsure of that power still.
Listening to Songs from the Sunroom or his 2018 EP boy from my dream, the feeling is that of satisfied melancholy. You’re bobbing up and down to the twinkling guitar picking and percussive shaker, cracking smiles at the quirky and honest lyrics, all while in the midst of honest emotions that are at times, profound. Opening for Remo Drive and Prince Daddy & The Hyena at The Masquerade, Field Medic is sure to impress the unsuspecting listener. – EP
The Athens and Atlanta music scenes have long been intertwined, exhibiting that great musical experimentation is often times the result of home recordings. Since their first EP release in 2010, Andrew McFarland (Reptar, Neighbor Lady, Giant Giants) and longtime collaborator Ryan Engelberger (Reptar, Giant Giants) have brought the rebirthed sound of Athens DIY to Atlanta with their dynamic project Semicircle.
Semicircle's first full-length record, Blown Breeze, Grown Grass and We are Part of the Earth (2014) is teeming with dark, soulful sounds that remind us why it’s nice to talk a long stroll alone, as fall takes over the city landscape. The hometown heroes are taking over 529 on September 10, alongside Atlanta’s own Rose Hotel and Honyock. – KL
For the past 11 years, frontman Zac Little has led Saintseneca to redefine folk rock and Americana for the modern era. The Columbus, Ohio five-piece melds a comprehensive collection of acoustic instrumentation (balalaika, mandolin, dulcimer, Turkish Baglama, floor percussion) with more conventional sonic elements such as electric guitars and synth.
Saintseneca’s 2018 most recent release Pillar of Na is the eclectic group’s most ambitious album to date. Opener “Circle Hymn” sets the cyclical tone of the album, which is resolved in the outro of the LP’s final track, “Pillar of Na,” with the nearly identical lyrics: “Turn all eternal / Eternity round / A circle in circle / May be unbroken now.” Saintseneca specializes in the weird, wonderful and otherworldly, and their live mysticism is a spellbinding spectacle that should not be missed. – KG
Greta Kline has been recording under the moniker Frankie Cosmos for the past decade, but her latest release, Vessel, shows us that Kline is still diving deeper and reinventing herself. Vessel tackles real world factors such as love, friendship and the deep, dark spaces where anxiety hides: “Being alive / Matters quite a bit / Even when you / Feel like shit / Being alive / I’m collapsing inwardly,” Kline plainly states on “Being Alive.” Frankie Cosmos has long been a forerunner of the ever-changing DIY scene, bringing authenticity and pure joy to everyday occurrences. – KL
Lucius owes their acclaim not only to their tantalizing vocal melodies and seamlessly woven harmonies, but also in part to their strong stage presence and unmistakable style; the bold ensembles they wear on and off stage mimic the strength and identity of their music. The female-fronted foursome released their second LP Good Grief in 2016, followed by this year’s Nudes – a collection of stripped down, acoustic covers and tracks from their past albums. Good Grief is marked by clear, powerful electric guitar and percussion that many times is just as much on the forefront as the melodic line. Above all, their music is marked by their explosive harmonies that remind us that harmonizing isn’t just for choir girls or slow burning acoustic diddies. Often calling back to the synth and dance music of the 80’s, Lucius puts on an exciting live show, complete with frontwomen Jess Wolfe and Holly Laessig often playing drums together at the top of the stage, while singing, and never missing a beat. – EP
Will Toledo is a master at taking past projects and making them feel completely brand new. From the reworked single versions of Teens of Denial, to the re-recording of Car Seat Headrest’s breakout album Twin Fantasy (2011), Toledo seems to have an obsessive knack for reinvention and an uncanny understanding of the density of human connection, that continues to grow throughout his music.
The 2018 re-release of Twin Fantasy is an ambitious exploration in mental health, swarming with dense feelings of anxiety and self-reflection: “You never lifted your voice / You never raised your hand / You never showed me your inhuman / You understand,” Toledo says on “Nervous Young Humans.” The “new” album lends a hand to Car Seat Headrest’s legacy of hard-hitting emo anthems for the lost and the emotionally riveted, bringing newfangled relevance to young sad boys and gals, alike. – KL